THEATRE - TORBAY/DEVON - PROFITSHARE
Character: Fluellen- Shakespeare's Henry V.

Gender: Any (castings for this show have all been genderblind)
Age: playing age 18-80
Pay: Equal profitshare of ticket sales (100% of ticket sales divided equally among actors & crew), plus show photos and a video of the full performance.
Rehearsal location/ Dates: Brixham, in Devon Sunday afternoons: Oct 31st, Nov 7th/ 14th/ 21st plus tech at the theatre venue on evenings Weds Nov 24th & Thurs 25th
Performance location / dates: Brixham Theatre in Devon: Fri Nov 26th (evening), Sat Nov 27th (matinee & evening)
To apply: email [email protected]

Requirements: Ideally can do a Welsh accent though this is an optional bonus! Should also be based in the South Devon area as will need to attend the rehearsals and performances in person.

Notes & general information: This is a recasting to join our team who have previously done broadcast performances online of Henry V for Bristol Shakespeare Festival and the Edinburgh Fringe. Sadly our lovely original Fluellen is moving up-country for a new "day-job" and will be unable to do the "on-stage" performances. We will be asking our new Fluellen to learn lines between the time of casting and the "physical" rehearsals, as the physical rehearsals will mainly focus on the blocking and tech for the stage shows. One to one sessions at mutual convenience, with the director over Zoom can be arranged in addition. The script has some small cuts in it but is largely the original full text, set and costume styling is a mildly post-apocalyptic near-future.

Video of previous "online" performance and featuring the full cast you'll be working with, also available.
Our website casting page, although currently geared to our next main production casting, explains how we work with all our castings and shows including full details of how the profitshares are worked, our inclusion and covid-safety policies, and example of our actors agreements: https://www.southdevonplayers.com/auditions.html
​
And here is a video from our founder (also the director of this production) also showing a clip of a previous Shakespeare show performance by our team - on the same stage as we will be performing Henry V: https://youtu.be/ggB6sYWnd30

Hello lovely people! 
Apologies for the delay in updating. 

Mailchimp
First of all, we think and hope that we have got the mailchimp glitches sorted out. It should all come out smoothly only Friday to everyone again as usual. We do ask anyone recieving our newsletter to let us know if anything seems glitchy though! 

Edinburgh Fringe Festival
In very good news, we are, for the first time, but not the last, bringing our shows to the Edinburgh Fringe Festival. This year we will be taking Henry V, and next year Ben Hur. Many thanks to our actor Eve Germaine, for finding the details of such a fantastic opportunity! 

As soon as we have ticketing information, we shall of course be sharing the details all across oour website and social media. 

Henry V
The rehearsals are going fabulously well; it is a real privilege to work such brilliant cast! Everyone is almost off-book and thier characterisations are flawless - it is simply a case now of practicing the techincal aspects and the show will be ready. 

Ben Hur
A number of people have been asking for the audition packs and sides - which are already available. The information packs are on our website - and please email us on [email protected] for sides. 

Other
Over the past months three people have been able to get their membership of Spotlight approved based on their South Devon Players credits - which is a question we are often asked - so it does indeed look as if the credits are easily accepted. Again, all fantastic news for everyone building thier careers. 

And that, in a quick summary, is the main news of the last little while. 
​Stay safe, and keep well! 

​CASTING CALL (DIGITAL THEATRE & THEATRE) PROFITSHARE. DEVON. (contact us asap for zoom/ facebook call discussion and casting)

SHAKESPEARE'S HENRY V - CASTING FOR THE DAUPHIN

* GENDER: Can be played male or female with our setting,
* AGE: 20s - mid 30s (we can be a bit flexible, but needs to work with the playing age of the French King)
*LOCATION: Due to live performances in November, we are looking for Devon-based actors only.
* SKILLS: Must be confident with using Zoom, including how to mute and unmute microphone, change backdrops etc. We can supply greenscreen if needed. Ability to do a light French accent is desirable but not a deal breaker.

PROJECT & DATES: This is a production which is currently well into rehearsals (over everyone working from home over Zoom at the moment)sadly the actor cast as the Dauphin has had life circumstances change unavoidably. The initual perfomance will be online, using Zoom with costume and digital backdrops etc, as part of Bristol Shakespeare Festival in July.
Following this, our cast (it needs to be the same cast due to the cast having already learned the lines and characters for the digital show) will re-convene in physical rehearsals at our usual rehearsal base on Wednesdays in November to work through the blocking for the live shows which will take place at the end of November at Brixham Theatre (as long as the government road-map goes to plan of course!)
Rehearsals over zoom take place on Wednesdays 7 - 9/ 9.30pm, and Sunday afternoons 12.45 to usually about 4pm. We are aiming for scripts down by the end of May 2021. The Shakespeare festival peforming dates are July 11th (recording the full show in case of techincal issues on the streaming dates) and July 24th (live streaming date). After this the show is on ice until we reconvene in late October.
We then reconvene to get the physical show blocking done, and some nessecary weapon choreography, on Wednesdays from late October, at our rehearsal hall in Brixham, and then will be in at Brixham Theatre for final tech and performances on Nov 24th - 27th 2021.
As all dates are booked and contracted, we are unable to now alter them.

OTHER: As this is an emergency re-casting, we havent got all the blurb on our website, (the casting up on there is for another project starting in late August) however if you pop over for a look; all the details of how we work, profitshares (and why we are currently stuck with that glass ceiling), sample actors agreements etc, are all there and the same for all shows. Also do explore the website to see everything that we are working on https://www.southdevonplayers.com/auditions.html
​
QUESTIONS/ TO APPLY - you can message the page directly, email [email protected], or phone Laura the director and company founder, (afternoons are the best time ) directly on 07855 090589.

As always, regular and new actors (and stage crew!) are equally welcome to apply, and we look forward to hearing from everyone who is interested. This is looking to be our biggest single stage tour yet, with more venues, and streaming performances to global audiences from at least two venues. 

If you would like to find out more, or discuss the project, then do please drop us a line on [email protected]

​Casting the French King in Henry V
(This is a recast, due to the original actor having a date clash with a previously contracted (pre Covid) project that is now resuming. )

The show
This is an "original text" production of William Shakespeare's Henry V. There have been a few small cuts due to running time. It is set in a postapocalyptic near-future, after an ecological disaster, and this setting informs the show design. 

Actor requirements
- Age: In order to fit with the current casting, the actor needs to be of an age suitable to play the Dauphin's parent. This requires the actor to be a minimum of 45 years old.
- Gender: Because we are casting gender-blind on this show, we are happy to cast either a male or female. 
- Location: While spring 2021 rehearsals, and the Bristol Shakespeare Festival performance are all digital and performance happens online  the actor needs to be based in or around the Devon area due to the 4 physical blocking rehearsals during November in preparation for the phsysical performances at the end of November. 
- Due to the use of digital rehearsals and performance, the actor should have the facility to use Zoom. 

Rehearsal dates 
Rehearsals are already underway, on Sunday afternoons 1-pm-4pm, and wednesdays 7pm-9.30pm. These will run up until the July online performance. We will then reconvene to have four-five wednesday rehearsals in late October-November, in preparation for the live shows. 

Show dates  
- Late July 2021, Henry V is being performed online as a digital broadcast show, in the second half of July 2021, as part of the Bristol Shakespeare Festival.
- Late November 2021, Henry V will be performed live at our home theatre venue, Brixham Theatre

Payment 
Equal profitshare, the same as all other cast and crew, using the the ticket sales for the performances, split equally. Please see the profitshare information on this page, which explains in more details how we work it out. 

Covid-safety
Our digital rehearsals and show all require the cast and crew working from home which is, intrinsically, safe. While we expect to be returning to physical rehearsals and shows in August/ September 2021, anything subsequent to that will be subject to the current status of the pandemic, and the liklihood of additional safety and cleanliness procedures in the rehearsal hall. 

To apply
Please email us on [email protected], for audition sides, with any questions, etc. 

It has been a long few days deciding on the show castings for Henry V. The show needs a large cast, even with doubling of roles, and the standard of the auditions were, without fail, exceptional. 
After several days of soul-searching, we have finalised the casting for this show. With digital shows coming up in the summer and live performances later in the autumn, this is is going to be a thrilling new project for everyone. 
We are delighted to welcome the cast: 


Actor 1: Chorus, Duke of York, Sir Thomas Erpingham, Jamy, French Soldier, French Court Attendant – Allison Abbott

Actor 2: King Henry V – Rich Sandford

Actor 3: Humphrey of Gloucester, Sir Thomas Grey – Eve Germaine (may be asked to understudy Katherine as well, for Sarah)

Actor 4: John of Bedford, Williams, Duke of Britain, Duke of Berri – Christophe Monplaisir

Actor 5: Thomas of Clarence, Dauphin – Jamie Hoskin

Actor 6: Duke of Exeter, Rambures – Sarah Gregori

Actor 7: Earl of Westmorland, Fluellen, - Samuel Swaffield

Actor 8: Earl of Warwick, Bates, Bardolph, Constable of France – Jenny Coverack

Actor 9: Archbishop of Canterbury, Richard of Cambridge, Macmorris, King Charles of France, Duke of Bourbon, Grandpré – Anthony Webster

Actor 10: Earl of Salisbury, Bishop of Ely, Lord Scroop, – Laura Jury

M Actor 11: Pistol, Ambassador of France, English Herald, Duke of Orleans – Ben Butler

Actor 12: Williams, Nym, Duke of Brugundy, Governor of Harfleur, Montjoy – Alex Stewart

Actor 13: Boy, French Messenger – Lily Elliott

Actor 13: Gower -Sadhbh Saoirse

Actor 14: Alice, Hostess – Parascovia Everett

Actor 15: Katherine – Sarah Hobbs

This production is working from the original text. As it is a longer play, we have made some cuts, and it tells of the events in and around King Henry V's triumph at the Battle of Agincourt. With drama, humour and a wonderful range of characters, this is going to be a fantastic project to work on. You can read the original uncut text for the play for free on Project Gutenberg HERE 
​

Ages. genders, etc at a glance. 
As with all our Shakespeare projects, we tend to cast the majority of roles as gender-blind - this means that any gender can audition for the same roles. Shakespeare's plays were notoriously male-heavy, originally, but that does not always fit a 21st Century way of working. People of all ethnicities are welcome to audition for any role. We are also very flexible on ages. While we are not casting children (under 18s) in this show, we do not have strictly preconcieved notions of characters ages, other than ensuring that any family groupings reflect a relevant range of ages. What is most important is that we select the strongest actors for the roles. 

Coming over the next few weeks, we will be uploding the information on our main 2021 casting calls. (Please note that we expect there to also be a number of other smaller digital-only projects, especially while we continue to create digital projects during the Covid crisis. These two major shows look forward to when it is safe, and viable to return to the live stage). 

We are excited to announce that the next primary casting calls will be for a production of 
William Shakespeare's Henry V, and for an all new stage adaptation of Lew Wallace's classic novel Ben Hur. 

There are likley to be additional casting calls for smaller digital-only projects which will also be released around the same time. 

At the time of writiing, the Covid pandemic continues unabated, with a shocking "second spike", but in positive news, two vacciences have been approved for national use, and so, there is light at the end of the tunnel. 

Some levels of lockdown do allow for theatres to open in a socially distanced way, but with rapidly changing infection rates in different regions, as well as the fact that with nessecary social distancing it is impossible to sell enough tickets to a venue to allow for the cast and crew to earn anything, and tight backstage areas where actors and crew are unable to socially distance (and that is before you even look at the mechanics of the interactions on stage!!!) 
Until we can perform viably and safely in theatres, our work will remain digital. 

Our lineup of live shows (when we can return to the stage) will be tours of 
- Jack The Ripper (currently in rehearsals, then a digital performance, which will then be held until we can return to the stage, for a live tour). 
- Henry V (subject to being able to return to the theatre during summer 2021, if not there will be a digital-only project linked with some larger national Shakespeare digital events) 
- Ben Hur (some work on visual and computer effects will begin summer 2021, requiring the two principals to be cast and contracted early, to have visual effects built around), but rehearsals etc will commence after Henry V, and the shows are hoped to be toured in winter 2021-2022. This will be our biggest and most complex show to date. 

Planning has never been so difficult - as it is not a simple case of scheduling one show after another, as in normal times;  it is also affected by the undercertainties of the pandemic. This means that dates are still highly uncertain at the moment, even to return to the rehearsal hall. 

Following the digital performances of The Lost Girl and Jack The Ripper, we will be having a week of "down time" to assess what the likely timeline is at that point. This means that we hope to start accepting auditions for Henry V, in the middle of Feb 2021. We may also schedule some short-term digital-only plays, if, at that point, it looks as if we will be remaining digtal-only into later summer. 

As always we are happy to keep a note of anyone interested in auditioning for us, in order to send a reminder when the audition packs are uploaded. 

We must apologise for the quietness over the last few weeks - lots of things have been happening! 

Taming of the Shrew news
First of all, we must apologise for the cancellation of The Taming of the Shrew. Due to illness in the team, it was impossible to continue to the deadline. (for the record those affected are recovering well!). The team behind that project plan to resurrect it in the future, timing to be decided in that team. 

Sir Walter's Women
On the plus side, the performance of Sir Walter's Women went very well, with great feedback from the author - we certainly hope to work with Rachel again, especially when shows come back to the live stage in the future. It is wonderful to find a playwright who, like us, loves researched historical plays. 

​BSL Christmas stories
We are currently working on a pair of children's Christmas stories, both spoken as recordings and recorded in BSL (British Sign Language), which will be available for free via this website, in the next few days. (The signing for the second story is being done as we speak). This project has been very kindly funded by Western Power Distribution. It is the first time we have worked with getting BSL signing (the first of many projects, and increasing the accessibility of our productions) .

Welcoming new stage crew
​We are delighted to be welcomeing new stage crew, Sophie on tech and set design, Rebekah who is a trainee ASM and filmmaker, Pete assisting with research and digital shows, and Jean on costuming. We are still looking for a stage lighting/ sound tech to join the crew - please check our Crewing page if you would like to be considered to join our upcoming team. 

Next castings coming up:
We have our next open casting announcements coming up. With show dates for both virtual projects and "live" shows in discussion (we have provisional live show dates booked for later in 2021, but of course physical rehearsals and shows are dependant on covid safety, and venues being able to re-open to audience numbers which makes a show tour viable in terms of ticket sales for our actors.). 
Please keep an eye on our newsfeed for the latest castings - we hope to announce during either December 2020 or Jan 2021. 

Housekeeping
We are currently in the final stages of updating the company documents and governance documents. As a lot of these are the policies and procedures by which we run, we ask that all actors, crew and anyone else who works with us, pops over to the Policies page to check up on them. As always it is all just really about checking the latest best practice, and making sure that our paperwork reflects what we do anyway. We find that it is best to keep things open and clear. 

Next shows coming up:

Coming up next, we have two virtual shows already planned, Lost Girl and Jack The Ripper, rehearsals for both are well underway, and the tickets are on sale on our box office page 

Well, it has been a hugely busy autumn for us, and there are dozens of projects, discussions and plannings in the works. 

Halloween and a video project. 
For Hallloween, supported by Arts Council funding via Torbay Culture, we created Spooky Tales of Brixham, a series of short stories, told in the first person by actors playing Brixham ghosts, based on local folklore. It has gone remarkably well, with fantastic audience feedback. 

This side of Christmas, we have two more historical dramas, coming digitally, to our season of online productions  - tickets all on sale now: pop over to our box office page to book now. 

And in addition... 
We are also working with Ivybridge Community Arts on a local history production that they have created, 
planning ahead for further online theatre productions in the New Year (and as long as Covid nessecitates that we work online. Some very exciting projects are in various stages of planning, from castiing to being written, behind the scenes! 

Castings and auditions
We have had a number of casting enquiries recently. We currently have open castings for specific roles within our production of DH Lawrence's The Lost Girl, to complete the compliment of actors. Anyone wishing to audition for those roles, please visit our "auditions" page as we are accepting auditions for the next ten days or so for those roles. 

During December/January, the next big show auditions will be made live on the same site, and announced here in the news page as well as on our official company social media. 

We have recieved a number of enquiries this autumn seeking auditions and "have a go" acting roles in our shows, specifically for children. As announced back in the summer, and as stated on our website in the audtions page, we were forced to close our doors to accepting new child actors, for the time being, for a number of reasons, including repeated concerns that children working with us were not being correctly chaperoned by their parents, and a deluge of very bizarre social media requests (reported to the authorities) requesting us to illegally traffic children from a number of countries, to the UK. In the interests of everyones well-being, safety and legality, we ended up with no choice to close the doors to new child actors.  As always we reiterate;  we are not a childrens theatre company, although the majority of our shows are suitable viewing for all ages, and we do only cast child roles, where a child is specifically required for a role, which is not the case in every show. 

At the moment, with Covid, all auditions take place using self-tapes. We have found that email systems can be very sporadic in filing submitted auditions sent via file-transfer systems to different folders, including the spam folder. While we do our utmost to be vigilant and pick up the auditions, we are still concerned that some may slip through the net, which is not fair on everyones hard work, and therefore we are working on finding an accessible, easy system which allows for easier submission and more efficient casting director access. If you have sent a tape, but not had a response, please always check in with us. 

Leaving aside the current second lockdown; a question that we are commonly asked, usually two or three times a week, is why we have not returned to live "on-stage" theatre, when techincally, (outside of the lockdown) the government allow for it. 

Ticket sales.  - As a professional company, we rely on ticket and programme sales to pay our actor and crew. If, due to social distancing, audiences are cut to 20-30, there is no way that we can even hope to break even on the show, much less pay anyone. The only way in which this could be done, is to charge extortinate amounts per ticket - which would be unlikely to fill seats anyway. 

Distancing for cast and crew - The current advice that we have recieved from our Equity contact, is that actors have to be fully socially distanced from one another on stage, which means in turn that we cannot have a natural dramatic dynamic on stage. Furthermore, every actor has to have thier own dressing room (most venues cannot accomodate this), and live in a "bubble" of a hired hotel before, during and after the show - there is no way to afford this. (Also what about families, other work/ committments, etc?) 

Venues - Many venues are closed, due to the lack of viability in being open under these circumstances.

And while we are all looking forward to a safe return to the live stage, it needs to be safe for the actors, crews, audiences and venue staff alike; and viable. 

​Until then, all our work will take place online. 

The Friends of the South Devon Players

And we have a message to the Friends of The South Devon Players, a fundraising arm run by volunteers who support our work. 
​
This year did not launch things as planned - while we were planning for social events, and all sorts of "perks" for the membership, Covid, and our scramble to keep the company ticking over, knocked that on the head. 

We are however now looking at creatiing "zoom socials" where you will be able to join, socialise, chat, and meet some of the cast and crew. None of these are mandatory for anyone, but will be an option to remain in contact. 

We will also be looking at various other "digital" perks, until we can get back into the live spaces, and the original plans, with an emailed announcement soon. 

If you would like to support our company's  groundbreaking theatre work, and join the Friends, it is only £10 per year, and please pop over to the Supporters Trust .  Every penny raised goes into creating new theatre work; costumes, equipment, publicity materialls, venue hire - and when we get to that stage, union-pay-rates for our actors and crew.