Open theatre auditions for a southwest-touring theatre production of Ben Hur, based on Lew Wallace's classic novel.

The auditions will take place on Sunday August 29th, from 12.30pm - 5pm at our rehearsal base of Chestnut Community Centre, 1-3 Poplar Close, Brixham, Devon, TQ5 0SA.

People are welcome to "turn up" but with Covid-safety in mind, it is useful to contact us in advance because if we get a lot of applicants, we may stagger the castings through the afternoon to reduce group sizes.

We will let everyone who auditions, know the outcome of the casting by the end of the following week.

The rehearsals will take place many Wednesday evenings and Sunday afternoons (schedule dependent on role and actors availabilities given to us at auditions) at a local community centre in Brixham, before being performed in Devon, Cornwall and up in Bristol. Most of the show dates are already booked and are all on Friday evenings and/or Saturdays.
We do prefer that all actors are based in the Devon area.

Full Covid-safety procedures will be followed in auditions, rehearsals and shows.

We have roles for actors aged 18 - 80, which range from main principal actors, as well as smaller roles, and crowd scenes. We expect that most actors will end up taking on more than one role, other than key characters Judah Ben Hur, Massala, Myriam, Esther and Tirzah.

All actors and stage crew are guaranteed a minimum of an equal share of 100% of the ticket sales (as shared equally among the cast & crew) although our fundraising volunteers are also applying for specific funding to increase that to full Equity rates for you. Profitshares with us are very "open-book" and include full unedited copies of box-office sales reports.

This is a self-employed role and as such all actors will need to declare whatever they earn from the project to HMRC as part of their annual self-assessment.

Costuming is part-sponsored by Tesco Bags for Life.

All actors and crew will also receive copies of individual character posters featuring their main character, portfolio photos from dress rehearsals, videos of the performance, and copies of any press/ blogs/ reviews/ feedback in which they are featured.

Actors of all levels of experience are very welcome. We look at your talent and suitability for the role at auditions, not at resumes.

Some roles will require action (combat etc) scenes which will be headed by our fight choreographers. Training will be given. There is no nudity, or visual sexual content. There are a couple of verbal references to rape in a single conversation. There is very little bad language; the word "bastard" is used by one character. The show itself will be largely suitable for all ages.


All ethnicities, gender identities, religions, disabilities, and other demographics equally welcomed. The audition venue is fully accessible. If you have any questions abut this, or making the auditions accessible, please do get in touch and discuss (or with any other questions).
More info at https://www.southdevonplayers.com/auditions.html

This production is working from the original text. As it is a longer play, we have made some cuts, and it tells of the events in and around King Henry V's triumph at the Battle of Agincourt. With drama, humour and a wonderful range of characters, this is going to be a fantastic project to work on. You can read the original uncut text for the play for free on Project Gutenberg HERE 
​

Ages. genders, etc at a glance. 
As with all our Shakespeare projects, we tend to cast the majority of roles as gender-blind - this means that any gender can audition for the same roles. Shakespeare's plays were notoriously male-heavy, originally, but that does not always fit a 21st Century way of working. People of all ethnicities are welcome to audition for any role. We are also very flexible on ages. While we are not casting children (under 18s) in this show, we do not have strictly preconcieved notions of characters ages, other than ensuring that any family groupings reflect a relevant range of ages. What is most important is that we select the strongest actors for the roles. 

As we come ever closer to the show for this amazing script, we are now rehearsing with the digital backdrops and most of the costumes for the final performance. We thought you woulld like a look behind the scenes, showing that digital theatre, can be great fun! (oh, and if you want tickets, our box office is over at ​https://www.southdevonplayers.com/box-office.html) The show itself is online for 48 hours from first broadcast to allow people all around the world to access the show at a time convenient for them.

Coming over the next few weeks, we will be uploding the information on our main 2021 casting calls. (Please note that we expect there to also be a number of other smaller digital-only projects, especially while we continue to create digital projects during the Covid crisis. These two major shows look forward to when it is safe, and viable to return to the live stage). 

We are excited to announce that the next primary casting calls will be for a production of 
William Shakespeare's Henry V, and for an all new stage adaptation of Lew Wallace's classic novel Ben Hur. 

There are likley to be additional casting calls for smaller digital-only projects which will also be released around the same time. 

At the time of writiing, the Covid pandemic continues unabated, with a shocking "second spike", but in positive news, two vacciences have been approved for national use, and so, there is light at the end of the tunnel. 

Some levels of lockdown do allow for theatres to open in a socially distanced way, but with rapidly changing infection rates in different regions, as well as the fact that with nessecary social distancing it is impossible to sell enough tickets to a venue to allow for the cast and crew to earn anything, and tight backstage areas where actors and crew are unable to socially distance (and that is before you even look at the mechanics of the interactions on stage!!!) 
Until we can perform viably and safely in theatres, our work will remain digital. 

Our lineup of live shows (when we can return to the stage) will be tours of 
- Jack The Ripper (currently in rehearsals, then a digital performance, which will then be held until we can return to the stage, for a live tour). 
- Henry V (subject to being able to return to the theatre during summer 2021, if not there will be a digital-only project linked with some larger national Shakespeare digital events) 
- Ben Hur (some work on visual and computer effects will begin summer 2021, requiring the two principals to be cast and contracted early, to have visual effects built around), but rehearsals etc will commence after Henry V, and the shows are hoped to be toured in winter 2021-2022. This will be our biggest and most complex show to date. 

Planning has never been so difficult - as it is not a simple case of scheduling one show after another, as in normal times;  it is also affected by the undercertainties of the pandemic. This means that dates are still highly uncertain at the moment, even to return to the rehearsal hall. 

Following the digital performances of The Lost Girl and Jack The Ripper, we will be having a week of "down time" to assess what the likely timeline is at that point. This means that we hope to start accepting auditions for Henry V, in the middle of Feb 2021. We may also schedule some short-term digital-only plays, if, at that point, it looks as if we will be remaining digtal-only into later summer. 

As always we are happy to keep a note of anyone interested in auditioning for us, in order to send a reminder when the audition packs are uploaded. 

​New digital theatre shows coming up in January and February 2021. TICKETS ON SALE NOW. Please share this information to anyone who may be interested!
The Lost Girl, is a drama set in Edwardian England, following a young woman, who feels stifled by society's conventions, whose father takes on a theatre, as a new business venture, with unexpected consequences.
Jack the Ripper is a steampunk-styled drama based on research into the Ripper, and theories as to his identity.
All funds raised from ticket sales are used to pay the actors and production crew (in equal shares), creating some work for professional creatives during the Covid-19 crisis. #supportuktheatre
Full viewing information and how to buy tickets, is all over on our website's box office page at
https://www.southdevonplayers.com/box-office.html

We must apologise for the quietness over the last few weeks - lots of things have been happening! 

Taming of the Shrew news
First of all, we must apologise for the cancellation of The Taming of the Shrew. Due to illness in the team, it was impossible to continue to the deadline. (for the record those affected are recovering well!). The team behind that project plan to resurrect it in the future, timing to be decided in that team. 

Sir Walter's Women
On the plus side, the performance of Sir Walter's Women went very well, with great feedback from the author - we certainly hope to work with Rachel again, especially when shows come back to the live stage in the future. It is wonderful to find a playwright who, like us, loves researched historical plays. 

​BSL Christmas stories
We are currently working on a pair of children's Christmas stories, both spoken as recordings and recorded in BSL (British Sign Language), which will be available for free via this website, in the next few days. (The signing for the second story is being done as we speak). This project has been very kindly funded by Western Power Distribution. It is the first time we have worked with getting BSL signing (the first of many projects, and increasing the accessibility of our productions) .

Welcoming new stage crew
​We are delighted to be welcomeing new stage crew, Sophie on tech and set design, Rebekah who is a trainee ASM and filmmaker, Pete assisting with research and digital shows, and Jean on costuming. We are still looking for a stage lighting/ sound tech to join the crew - please check our Crewing page if you would like to be considered to join our upcoming team. 

Next castings coming up:
We have our next open casting announcements coming up. With show dates for both virtual projects and "live" shows in discussion (we have provisional live show dates booked for later in 2021, but of course physical rehearsals and shows are dependant on covid safety, and venues being able to re-open to audience numbers which makes a show tour viable in terms of ticket sales for our actors.). 
Please keep an eye on our newsfeed for the latest castings - we hope to announce during either December 2020 or Jan 2021. 

Housekeeping
We are currently in the final stages of updating the company documents and governance documents. As a lot of these are the policies and procedures by which we run, we ask that all actors, crew and anyone else who works with us, pops over to the Policies page to check up on them. As always it is all just really about checking the latest best practice, and making sure that our paperwork reflects what we do anyway. We find that it is best to keep things open and clear. 

Next shows coming up:

Coming up next, we have two virtual shows already planned, Lost Girl and Jack The Ripper, rehearsals for both are well underway, and the tickets are on sale on our box office page 

There is a lot of news for a short period of time, that affects most of our shows. 

First of all, we are delighted to announce that our first ever Arts Council funded project, True Tales of Spooky Brixham, is now live for public ticket sales. We had a great session with most of the recording work last week, and are doing the final pickups tomorrow. This project will be fundraising for Brixham Theatre, our nearest local theatre, where we always perform for each show tour. 

Secondly, theres Jack The Ripper. The live theatre shows were originally planned for the end of January (at Brixham Theatre) but with the governments expectation that Coovid restrictions will go on for another six months, and Brixham Theatre not reopening until May 1st 2021, we will be running a virtual performance in early Feb 2021 (tickets on sale soon), prior to the rebooked tour dates in May for the live performances of Jack the Ripper as originally planned. All venues originally booked will be contacted by the end of the week to rebook. 

With this schedule in place, we can also announce that in, the early New Year , we will be castings for our second "live" post-covid show, Shakespeare's Henry V. The dates for this show run will be dictated by our inclusion with Bristol Shakespeare Festival, ideally live, or otherwise as an online show. 

With our virtual season, there have been some date changes. The Lost Girl (script by Germaine Shames, based on the novel by DH Lawrence) is being rescheduled for mid January 2021. Between some internal live broadcast logistics, and a delay caused by struggling to cast the older roles, (a new casting advert will go out shortly for those roles) we have postponed the project so that it can be done to best effect and quality.. 
The other autumn virtual shows, Sir Walter's Women, and The Taming of the Shrew, are unaffected. 

Our non-exclusive casting agency also remains open. While our books are closed to actors who have not worked with us (we work on being able to provide personal reccomendations from having ourselves worked with people),  our actors are largely available for remote/ home-taped/ virtual/ voice over work, or castings on known Covid-secure sets. Please note that if seeking actors through us, these are all experienced professionals, and must be paid as such.  
We have some new work coming in through the agency at the moment, and suitable team members will be approached over the next week or so for the work, which will all be done over Zoom. 

We are also in the process of developing a welcome book for those who join our teams for one or more productions. For those newer to working professionally, or who are unsure what to expect, this outlines how things work and organisation expectations, aiming to answer frequently asked questions, and be an easy to access guide. This will be finished by Christmas. 

And that's all for the moment. Stay safe, keep battling along, and never stop revelling in creativity!

and Hello everyone! 
This is our big update on our projects and what we are doing while this Covid situation continues around the world. Please read on to find out the latest on our online shows, offline shows, and other activities. 

As things stand, the UK goverment have just brought in what is commonly known as the Rule of Six (meaning that only six people can meet up in a space), as infections nationally are on the rise. 

--- Returning to live shows
For now, our first returning shows are being booked for Jan/ Feb 2021, with our production of Jack The Ripper. That is, hoping that it will be safe for theatres to reopen by then. If there are delays on this, we will postpone. In the meantime, our cast are busily rehearsing and fine-tuning the show. We are currently rehearsing soley on Zoom. As things stand, physical rehearsals are not viable. We would need to be 2metres apart at all times, facing forward away from one another, which is impossible to create a natural show between different characters. While we will return once it is safe to do so (and viable to rehearse in a suitable way), at the moment it is all over Zoom. 

Shows for 2021 (or, once we can reasonably safely return to viable theatre where we can sell enough tickets to be able to pay cast and crew) include Jack The Ripper, Henry V, we hope a reboot of our show A Midsummer Night's Dream; from 2020, and an action drama set in ancient Rome which is currently being researched and written. 

---Online shows
We have a great autumn season of four shows, Tickets on sale via our box office HERE for all of the shows, with synopses, and breakdowns, with brilliant transatlantic casts. Every penny from ticket sales will be shared equally among the cast and crew of the show - after all, this is all about creating work for actors and creatives during these tough times. 

Should the covid crisis run into the New Year, any delays in returning to the physical stage, will lead to a winter/ spring Online Season. 

---The Spooky Tales of Brixham
With Arts Council funding, from Torbay Culture, our team are creating a video of local spooky ghost stories. With a Halloween broadcast, tickets will be on sale from the beginning of October, and all funds raised will go to our friends at Brixham Theatre. 

---Professional actors available
We have a fantastic team of actors who are available for (paid) voiceover work, home-recording for zoom projects. If you have a casting call, please email us on [email protected]. We are committed to doing our best to create work for our actors and crew. 

--Other activities
We are using the time as usefully as possible. Studying and developing new trends in marketing theatre, creating new technology for our live shows, developing new resources to assist new actors and crew joining the company especially those without much experience; and generally sorting and fine tuning as much as we can. 

We have been very pleased to hear of the UK governments move towards allowing limited indoor performances from August 15th 2020, and the associated guidance on the uk.gov website.
Having reviewed the information as updated, we wanted to set out, for clarity, how this will affect us.
For the time being, we will not be returning to live shows in physical spaces (though once it is safe and possible, we will be back with bells on!) and will be continuing to focus on our Autumn “Virtual season” and while we will regularly review the situation whenever new information and guidance comes out, we are not expecting a return to live physical performances until at least the awaited announcements from the British Culture Secretary, Oliver Dowden, expected in November 2020.


This decision is for a number of reasons.

• Our actors earnings are usually based on the ticket sales (profitshare), and a lower number of seats available for sale, means less earning potential for our cast and crew. Venues also often rely on sales of refreshments etc, to fund the venue, aside from the hire/ box office split, so it is also difficult for a lot of our regional venues right now.
• Furthermore, while here in Devon, we are in a relatively safe area with lower numbers of Covid-19 cases, our shows do tour, including to venues outside of the area, some of which do have higher rates of infection. We would be very remiss in exposing our cast and crew to these higher-infection rates, or risking one or more of us bringing it back to family and friends.
• A lot of venues, especially older Victorian or earlier buildings (some of our venues go back to buildings from the 1600s and 1700s), do not easily allow for recommended social distancing back/ sidestage, in what is often a quite cramped area.
• A number of our regular venues have taken the decision to be closed until the New Year.
• Rehearsals still need to take place with social distancing in place, either 2 metres radius between people, or 1 metre with masks/ PPE. Actors also should not face one another unless absolutely necessary. This makes it near impossible (or impossible) to rehearse a naturalistic performance involving physical interaction between people and set (what is called “blocking”.), though it would work for simple recitation (which our shows are not).
• Actors and crew, at all times, must remain a minimum of 2 metres from any member of the audience.
• We have looked into the possibilities of performing outdoors, however, again we have encountered a number of issues. In addition to the socially distanced rehearsals/ performance issues, when out of doors, you require additional microphone and sound equipment so that audiences can hear you – sound is easily carried away outdoors. While we could borrow a suitable speaker system, we would not have enough microphones for the whole cast (microphones cannot be shared, there was a serious infection case in Northern Ireland, where a cast shared a microphone). Actors of course need access to changing spaces and toilets (audiences also need access to toilets) which means it is not possible to just “set up in a field”. We have found that every event needs a minimum of a calendar month to advertise, market, re-rehearse, and plan the logistics. If you do not have marketing and advertising in place one month before, as a minumum, you will be unable to sell the tickets in a reasonable enough amount. You need a large space again, to make it worthwhile for the cast and crew, with socially distanced audiences (again, down to earning from the ticket sales, and while most of our actors are from the local region, we also have actors and a technician, who come over from the Republic of Ireland to work in our shows.).
  From our experience of street theatre, this is again impossible as you cannot charge for tickets, meaning the actors cannot earn, and that is an unacceptable situation unless you are an amateur dramatics club, which we are not. We also found doing street theatre years back , even with marshals in place, that people often will push through an audience, climb over barriers, and physically collide with performers, in fact at least one of those incidents - often more- would happen every single performance, which in this situation is utterly unsafe for everybody., for distancing etc. In addition to which, the scale of our current shows, (full scale 2 and 3 hour plays, professionally performed, with costuming etc for a cast of around 10-12 ) does not allow for performance on a street corner.

In the meantime therefore, we have our Virtual Season, which is allowing for some incredible collaborations to form, and some super broadcast theatre with new and established creatives to our team, working almost entirely online. We are also working with the Arts Council and Torbay Culture, to create a filmed performance piece about local Brixham ghosts and spooky tales, which creates some brilliant fully paid work for some of our actors; and we are in rehearsals for physical shows, to return to the physical stage once it is safe, and cost effective. We are also planning further ahead with writing for new shows, and working with more theatre shows through 2021 and 2022.


When we are able to return to the physical stage, our cast, crew and audiences should be aware that there will likely still be some level of restrictions, or additional guidance still in place, and to work with us on those.


We also recognise that there may still be a number of people, who may feel unsure about attending the theatre in person. We are working to run livestreams of our performances (at least one per production) from the venues, so that for those who would rather attend the theatre from the safety of their own home, they are able to, for the same ticket cost. Early equipment tests are proving very positive, and we are now working on linking the systems to high-quality cameras to provide the best audience experience.


There are also a number of other creative plans, the viability of which, will be looked into through the autumn, and developed from this work. (Some will succeed and others not be deemed as likely to work) so we are using this time as usefully as is humanly possible.


We fully realise that some of these “realities” of why we are not doing the “distanced indoor shows”, are hugely disappointing to many, both our audiences and our creatives, however, we feel that it is very important that we do everything in our power to ensure the wellbeing of our cast, crew and audiences, while also continuing to create work and . It is much better to come back to physical shows, a bit later with everyone well and happy, than to have had some avoidable disaster.
With the understandable confusion already appearing in some articles circulating online, regarding the August 13th announcement, we wanted to take the time to explain in detail, where we stand, and the reasons for our decisions.  


​Laura Jury