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2021 production plans (casting calls coming soon for Henry V & Ben Hur)

31/12/2020

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Coming over the next few weeks, we will be uploding the information on our main 2021 casting calls. (Please note that we expect there to also be a number of other smaller digital-only projects, especially while we continue to create digital projects during the Covid crisis. These two major shows look forward to when it is safe, and viable to return to the live stage.

We are excited to announce that the next primary casting calls will be for a production of 
William Shakespeare's Henry V, and for an all new stage adaptation of Lew Wallace's classic novel Ben Hur. 

At the time of writiing, the Covid pandemic continues unabated, with a shocking "second spike", but in positive news, two vacciences have been approved for national use, and so, there is light at the end of the tunnel. 

Some levels of lockdown do allow for theatres to open in a socially distanced way, but with rapidly changing infection rates in different regions, as well as the fact that with nessecary social distancing it is impossible to sell enough tickets to a venue to allow for the cast and crew to earn anything, and tight backstage areas where actors and crew are unable to socially distance (and that is before you even look at the mechanics of the interactions on stage!!!) 
Until we can perform viably and safely in theatres, our work will remain digital. 

Our lineup of live shows (when we can return to the stage) will be tours of 
- Jack The Ripper (currently in rehearsals, then a digital performance, which will then be held until we can return to the stage, for a live tour). 
- Henry V (subject to being able to return to the theatre during summer 2021, if not there will be a digital-only project linked with some larger national Shakespeare digital events) 
- Ben Hur (some work on visual and computer effects will begin summer 2021, requiring the two principals to be cast and contracted early, to have visual effects built around), but rehearsals etc will commence after Henry V, and the shows are hoped to be toured in winter 2021-2022. This will be our biggest and most complex show to date. 

Planning has never been so difficult - as it is not a simple case of scheduling one show after another, as in normal times;  it is also affected by the undercertainties of the pandemic. This means that dates are still highly uncertain at the moment, even to return to the rehearsal hall. 

Following the digital performances of The Lost Girl and Jack The Ripper, we will be having a week of "down time" to assess what the likely timeline is at that point. This means that we hope to start accepting auditions for Henry V, in the middle of Feb 2021. We may also schedule some short-term digital-only plays, if, at that point, it looks as if we will be remaining digtal-only into later summer. 

As always we are happy to keep a note of anyone interested in auditioning for us, in order to send a reminder when the audition packs are uploaded. 
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Events, dates, date changes, and news from the week so far

7/10/2020

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There is a lot of news for a short period of time, that affects most of our shows. 

First of all, we are delighted to announce that our first ever Arts Council funded project, True Tales of Spooky Brixham, is now live for public ticket sales. We had a great session with most of the recording work last week, and are doing the final pickups tomorrow. This project will be fundraising for Brixham Theatre, our nearest local theatre, where we always perform for each show tour. 

Secondly, theres Jack The Ripper. The live theatre shows were originally planned for the end of January (at Brixham Theatre) but with the governments expectation that Coovid restrictions will go on for another six months, and Brixham Theatre not reopening until May 1st 2021, we will be running a virtual performance in early Feb 2021 (tickets on sale soon), prior to the rebooked tour dates in May for the live performances of Jack the Ripper as originally planned. All venues originally booked will be contacted by the end of the week to rebook. 

With this schedule in place, we can also announce that in, the early New Year , we will be castings for our second "live" post-covid show, Shakespeare's Henry V. The dates for this show run will be dictated by our inclusion with Bristol Shakespeare Festival, ideally live, or otherwise as an online show. 

With our virtual season, there have been some date changes. The Lost Girl (script by Germaine Shames, based on the novel by DH Lawrence) is being rescheduled for mid January 2021. Between some internal live broadcast logistics, and a delay caused by struggling to cast the older roles, (a new casting advert will go out shortly for those roles) we have postponed the project so that it can be done to best effect and quality.. 
The other autumn virtual shows, Sir Walter's Women, and The Taming of the Shrew, are unaffected. 

Our non-exclusive casting agency also remains open. While our books are closed to actors who have not worked with us (we work on being able to provide personal reccomendations from having ourselves worked with people),  our actors are largely available for remote/ home-taped/ virtual/ voice over work, or castings on known Covid-secure sets. Please note that if seeking actors through us, these are all experienced professionals, and must be paid as such.  
We have some new work coming in through the agency at the moment, and suitable team members will be approached over the next week or so for the work, which will all be done over Zoom. 

We are also in the process of developing a welcome book for those who join our teams for one or more productions. For those newer to working professionally, or who are unsure what to expect, this outlines how things work and organisation expectations, aiming to answer frequently asked questions, and be an easy to access guide. This will be finished by Christmas. 

And that's all for the moment. Stay safe, keep battling along, and never stop revelling in creativity!

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General news update

29/8/2020

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Hello all! 
This is just an update with news all in one place! 

Overall, the news on theatres reopening remains the same. While some theatres are able to put on subsidised performances, it is impossible for most of us, sadly as outlined in our update on the subject, to return to distanced physical shows, for us and very many theatre companies. Most of the UK theatre industry is awaiting the announcements due in November from the UK government's Culture Secretary, Oliver Dowden, as to when theatres can re-open. With vastly reduced audiences due to (the very sensible!) distancing, it is impossible to run shows viably, and make enough from sales to pay for a venue and also to pay cast/ crew. 

Jack the Ripper
We are now rehearsing over Zoom each Sunday afternoon for this show, with plans for an online performance if the physical shows end up delayed. Jack The Ripper will return to the physical stage as soon as theatres are able to reopen (all being well, our bookings are for the end of January and early Febuary, with ticket sales going live once we know more from Mr Dowdens announcements in September. 
The production team are really pleased with how the rehearsals are progressing, with this Sunday being a characterisation workshop session. Our return to the physical stage, in 2021, will also mean that at least one performance of each show run, will be livestreamed to audiences who either are unable to access the venue, or who may still not wish to attend theatre in person after the pandemic. 

Shakespeare in 2021
Our 2021 Shakespeare show will be Henry V, as is already being booked for summer 2021. We are also hoping to finally get to tour our production of A Midsummer Night's Dream, which was postponed due to the pandemic, subject to cast and venue availibility, as it now appears highly unlikely that we will be able to tour the show this year. 

Virtual Season
Casting announcements will go out within a few days for the first of our Virtual Season, the dark adaptation of Snow White, by Ashley Griffin. There have been a few delays while the cast are being selected, but we will have that sorted out by the end of this coming weekend. Tickets have already begun to sell, and as soon as the casting announcement goes live, we will be able to send out press releases, distribute posters and online events listiings to really push for the ticket sales.  The ensuing plays, The Lost Girl and Sir Walter's Women, will be cast during the later part of September. 

Spooky Tales of Brixham
This project telling of our local town's folklore, is well on track, with a release date of Halloween. 
We have acquired a wonderful collection of Victorian images of Brixham, for some backdrops and intro cards, and are currently in talks with local filming locations. All filming will be socially distanced, and outdoors in a Covid-secure envriroment. 
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Announcing the autumn lockdown season - & auditions!

26/7/2020

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We are delighted to announce the lineup, and launch the open auditions for our lockdown season. 
Working with four teams and three external writers. 

The lineup will be: 
 
Snow, by Ashley Griffin (PARTIAL CASTING OPEN)
Exploring the power and importance of storytelling, Snow (a new play by Ashley Griffin, creator of the pop culture phenomenon Forever Deadward, and the first person ever nominated for a major award for both playing and directing Hamlet,) follows three disparate storylines that all revolve around the fairy tale Snow White. Utilizing a structure similar to Cloud Atlas and The Hours, six actors playing multiple roles tell the stories of the Grimm Brothers (who originally collected and published the classic fairy tale), the Campbells (a Victorian theatrical family whose lives begin to mirror Snow White), and modern day Astrid (a young woman who, after her abusive mother puts her in a coma, must decide whether or not to wake up). Incorporating aspects of American Gods, and classic storytelling techniques a la Peter and the Starcatcher, Snow is a dark and moving play that mines our storytelling traditions both in style and subject matter. 

The Lost Girl by Germaine Shames
Based on the eponymous novel by D.H. Lawrence.  
Alvina Houghton, the headstrong daughter of a widowed Midlands draper, comes of age just as her father’s business is failing. In a desperate attempt to regain his fortune and secure his daughter’s proper place in society, James Houghton buys a theatre. Among the travelling performers he employs is Ciccio, a sensual Italian who immediately captures Alvina’s attention. A celebration of freedom, however fleeting, and a testament to the power of the imagination to transform even the most mundane life.  The script has been vetted by international D.H. Lawrence scholar, Catherine Brown. Jessica Levinson Young, Artistic Director of Untold Theatre, writes, “I absolutely loved this script for The Lost Girl. It has incredible pace and the dialogue simply leaps off the page!" Another of her D.H. Lawrence adaptations, THE VIRGIN and the GYPSY, received a reading at the 2018 Festival of New American Theatre.

Sir Walters Women, by Rachel O'Neill
This is a one-act drama about the life of Sir Walter Raleigh as he manoeuvres his status as a favourite of Elizabeth I to satisfy his political ambitions. Into the Court arrives Bess Throckmorton. They fall in love and marry in secret, to the great and lasting displeasure of the Queen. The Queen dies and the envious James I comes to power and the play ends with Sir Walter's incarceration, trial and execution

The Taming of the Shew, by William Shakespeare  (CLOSED FOR CASTING)
Three actors, performing the uncut show, combining digital media with performance, to create an all-new "artform". 
This drama is one of the great comedy plays by William Shakespeare. The play starts with the Induction where a trick is played by a nobleman on the drunkard Christopher Sly who arranges for an acting troupe to perform a play called The Taming of the Shrew.
The beautiful and gentle Bianca has no shortage of admirers (Lucentio, Gremio and Hortensio) but her father insists that she will not marry until her shrewish sister, Katharina, is betrothed. Bianca's suitors persuade fortune-seeker Petruchio to court her. The suitors pay for any costs involved and there is also the goal of Katharina's dowry. Petruchio marries Katharina and he carries Katharina off to his country house with his servant Grumio. Petruchio intends to browbeat Katharina into submission and he denies her food, sleep and her new clothes, whilst continuously singing her praises. Katharina is tamed. They return to Padua where Lucentio has won Bianca. At a banquet they wager on who has the most obedient wife. Each wife is issued with commands but only Katharina obeys. 



Snow, The Lost Girl, and Sir Walter's Women, are all open for audition, with a wonderful range of roles available. Please visit our "auditions" page and scroll to the Virtual Season section, for the audition pack which gives full breakdowns for each play. 

Our “virtual autumn season” is a response to the Covid19 restrictions on performing venue-based theatre. While we hope very much to return to normal theatre performance by early 2021, in line with the current government guidance, we feel it very important to keep working and creating in the interim.
For the time being therefore, we have moved into cyberspace, with our actors and crew joining us on screen from their home studios; rehearsing and performing over Zoom, and then streaming the performances to a paywalled online space, where audiences all over the world can access the performance, and the cast & crew can earn equal shares of whatever is made from the online performances ticket sales.
These are performed plays, not just a “scriptreading”, therefore we will be expecting all cast and crew to treat it as a full performance, with well-developed characterisation and line-learning. Working to sound and lighting cues, eyelines and “cross zoom” choreography/ interaction will also be necessary.
Cast requirements - We have a full range of roles for male and female actors aged from 18 up to 70+ . Cast and crew should be familiar with how to use Zoom, inclusive of how to use supplied digital backdrops, mute and unmuting microphones/ video, and have a quiet space at home with a plain wall (or sheet hung up etc) to work with the digital backdrops, and able to follow tech cues and direction promptly and confidently.
Because these are digital performances, actors can be based anywhere in the world to work with us, with the understanding that the shows and rehearsals will be working to UK timezones.  With short turnarounds, these projects are unlikley to be suitable for beginner actors. 


How to watch - Broadcasts of the plays will be ticketed events, via a link to a hidden area of our .com website, provided to ticket buyers at the time of ticket purchase. Tickets will be sold via our website box office, linked to our ticketsource account.
Payment  - Profitshare.  All cast, crew and writers, will each receive an equal share of profits from the ticket sales for their project, and box office sales reports from ticketsource will be made available after the event, in the Facebook cast and crew group, for perusal. We usually provide clips to cast for showreels and demo reels when our scripts are inhouse or Shakespeare; in this case it will also be down to permission by the authors, as the script and dialogue is their intellectual property. 

How to apply- Visit our auditions page, and scroll down to the castings for "Virtual Season", and download the audition pack.  Read the play breakdowns, and contact us on southdevonplayers@gmail.com for the audition sides and audition form, stating the play and the character for whom you require the sides. Please ensure that you submit your selftape by the audition deadline for that project. Castings will be decided within a week of that deadline. In the selftape, we will be looking for strong characterisation and focus, with confident and positive acting. 

ALL INFORMATION ON HOW WE CAST, HOW PAYMENT IS MADE, ETC, IS AT OUR AUDITIONS PAGE



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The Big July Update from Laura

3/7/2020

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Hello all! Lots of news at this end, re the online and offline shows, rehearsals, paperwork, plans and changes for the future. Everything is as positive as can be expected in these crazy Covid-times. 

Midsummer Night's Dream (Live shows) 
I apologise for the radio silence on this. This is a reiteration that the live shows will most definitely happen, however long it take, and a HUGE thank you to all cast and crew and venues for sticking together. At the moment we are looking, with lots of hope and wishful thinking, for an autumn run. This will be dependent on safety and legality at the time. We would look to have at least a month’s notice so that we can rehearse, and get things ready, quite intensively, for the shows at our full usual standard. As the shows WILL happen when it is safe to do so, we are asking all cast and crew to remain familiar with their lines and characterisations, as there is not likely to be time for "re-learning" when we are able to get the shows back; I find remaining familiar just involves a good focussed read and run over my lines once a week. When we get to live rehearsals with the final dates for shows, those rehearsals will need to be intensive logistics, blocking, and tech,. Lines etc will need to be already known. There will not be a performance at Brixham Theatre, as Brixham Theatre is remaining closed until Jan 2021, due to the pandemic, as the theatre needs several months marketing ahead of time and has very high local demographics of older people who need to isolate even more than the rest of us. I am however looking at alternative venues in Torbay. 
In addition at least one of the live performances (I am aiming for the Bristol one) will be live streamed to audiences who still prefer to isolate. 


Jack The Ripper (Live shows)
This show is going ahead. We are casting as planned this summer (although through the use of self-tapes instead of "in person" auditions, though an audition over Zoom or Facebook call can be arranged if someone feels unable to video their audition.). Initial rehearsals will be online, over Zoom. 
The performances are likely to be moved to late January 2021 (discussions taking place over the next weeks), when most surviving theatres, as is currently thought, will reopen. We will also be doing a live streamed online performance in the meantime, and again, one of the venue performances will also be streamed to those who may still be isolating. We are not casting "online only" actors for this show, as we want to be able to present the same actors to all audiences, on and offline.  We would love to hear from regular and new actors who would like to be considered for a role (all the details are over on the auditions page.) 

Further shows
The 2021 programme of live shows, all being well, is fully planned, and may tip over into early 2022. There is a very exciting line-up of work, including more Shakespeare (which is already booked in for the 2021 Bristol Shakespeare Festival) and historical dramas. These will be announced formally once there is more clarity on the Covid-affected timing of the current shows. 

Rehearsals
Later in July, our rehearsal venue will be available for limited use under current official guidelines. We hope to return by the beginning of August. There will be stringent safety (distancing, cleanliness) guidelines in place which will be mandatory to be followed for anyone attending. We have currently sent these to Equity for checking, and will have a finalised safety document outlining safety procedures which everyone will be required to follow, before we confirm a return to any physical rehearsal space. 
We would like to be very clear that even when this return happens, attendance at the physical space will be optional. Any cast member not wishing to attend in person for any reason, will instead be able to attend the rehearsal from their own home, over Zoom. Physical attendance at rehearsals will become mandatory again, when it is fully safe to do so and we are in the final stages of getting back to live touring (for blocking etc). As long as full attendance happens, whether physical or online, at rehearsals, then we are happy! 

The main rehearsal dates for our main shows remain the same; Wednesday evenings and Sunday afternoons. Where shows overlap there may be one show being rehearsed on one day, and one on the other. 

Until we are able to return to physical rehearsals in full force, any trainee/first-timer crew roles will have to either be postponed, or take place solely online.

For the time being we will not be able to accept guests at physical rehearsals. Due to space being at a premium with social distancing, only actors and senior crew involved in the scenes being rehearsed will be able to attend. Family members or friends who are not in the production, will not be able to come and "sit in".


COVID Online Season
We are in the final stages of planning the show line-up for a season of online Zoom-based "Virtual theatre" which will be live streamed to audiences during the autumn, with a wonderful mixture of new and established shows. We already have a wonderful Shakespeare production being planned, and a piece of new writing by a guest author who normally works in the Broadway circuit and is very excited to expand her work over to the UK. Following a call for new work, we are also reading through a number of other very exciting submissions, to select one or two, for the season. Casting calls for all available roles will be released as soon as possible, in line with our usual profit share & portfolio content line-up. Rehearsal times for these may vary from our usual times. 

Stage fighters
It should be noted that we have updated the policy document pertaining to fight choreography and weapons use, in order to clarify best practice and our expectations. It can be found in our governance documents. With the upcoming two year programme of shows involving a high percentage of shows with action and fight scenes, it was deemed important to re-clarify.

Training Zone
We often have people join our team who are new to professional acting, who may have come from either an amateur background or indeed who have never performed before. Even for those us who have been performing for 20 or 30 years, you never ever stop learning. All levels of experience are equally welcome, however we have often found a huge discrepancy in expectations of professional theatre, which unfortunately can, without any negative intentions from anyone, create friction. In an ideal world with the relevant funding and qualified personnel, we would run free training classes at our rehearsal hall, however this is not currently possible, and therefore we have opened the Training Zone on Facebook, which all of our cast and crew who own a Facebook account, regardless of experience, will be asked to join from Jack The Ripper onwards, where we can share learning, best practice, and help with questions or skills gaps. After all, we pride ourselves on having some of the best raw talent in Devon, and making sure that we are all as finely honed performers and crew as possible, will serve to build everyone's individual careers, and the team as a whole. The Training Zone group can be found here. If you have a question, however basic or advanced, this is the best place to ask and discuss, and find resources.
For those people not on Facebook, we will forward the contents into emails.


Skills assessments
From this point on, for the first six months with the company, new personnel will be required to complete monthly skills assessments with one of our senior staff. After six months satisfactory completion, new team members will be reviewed 6mts later, then, as with all of our team, will be reviewed on an annual basis. This will allow us to focus on continuous development of everyone working with us.

Market Stall, Ebay & Friends’ Scheme
With Brixham Pannier Market reopening later this month, we are reopening our book stall at the market on Wednesdays. This will have our usual wide variety of fiction and factual books, with new books added each week. The market takes place in the Scala Hall, part of the Brixham Town Hall complex, in the town centre by Bolton Cross.

We have also opened a dedicated Ebay store, which will sell donated items and any items that we are clearing out, to fundraise for the company. We will be re-launching our used-stamp appeal shortly as well. The ebay account is at https://www.ebay.co.uk/usr/southdevonplayers.

“Friends Of” Scheme
Our ‘Friends of’ Scheme remains available. Full details on the website. Email southdevonplayers@gmail.com to sign up.

Child Actors
Following a spate of high-double-figures of highly concerning incidents of children contacting us without the knowledge of their parents for shows, providing dangerous amounts of personal information including secret contacts away from parents, and even requests for illegal trafficking from abroad (all of which have been reported to the child protection authorities in the relevant area to the child's residence, and anti-slavery organisations when from abroad), and incidents where parents have not been aware of chaperoning laws (in some cases being unaware even of the existence of such laws, let alone of the actual nuanced regulations and responsibilities), we have had to take the difficult decision to close our doors to child actors for the time being.
Dealing with these enquiries (sometimes two or three in one day) where children and parents are wilfully endangering children cause us huge amounts of worry & concern, it eats up hours of production time, from our small team, and we are unable to continue to cope without endangering our productions and company.

If we have shows or projects requiring child actors, we will contact a pool of three teenage actors with whom we have worked with this summer, who have established high-level professional skills & reliability, who will be invited to audition for any child roles that come up with new or peripheral projects.  For anyone who wishes to read our child protection policy, which remains in force as a non-negotiable production document and regularly updated in line with new legislation, the document may be found in our governance documents section. 

It should be noted that the coming two year forecast of shows after A Midsummer Night's Dream, (which is already cast as of Feb 2020, with two child actors involved) will not require child actors. 

If local child actors wish to find alternative opportunities, we highly recommend Dramatically Different youth theatre run by the lovely Rachel Swain as an excellent practical team for children and teens, which works towards two full-scale productions per year in Brixham Theatre, as well as other local events, or alternatively, on a wider scale, you may wish to look at the Young Company at Plymouth Theatre Royal.
 


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A look behind the scenes at our Online Macbeth

16/6/2020

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Rehearsals are coming along amazingly with the team - here are a few shots of the rehearsal from Sunday :) 
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Macbeth - the online edition

12/6/2020

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Shakespeare's classic tragedy, is brought to life in a lockdown production, by a theatre company based in Brixham, South Devon, UK.
As we all know, the Covid-19 pandemic, something that nobody could have predicted in their wildest dreams caused postponement and cancellation of live shows for several months, for every theatre in the UK. Of course, many theatres, both venues and production companies had no choice but to close, and work for professional actors temporarily collapsed.
The South Devon Players decided to resist the trend, and as well as postponing (not cancelling!) the usual shows to such time as when it is safe for theatre venues to reopen, the Players decided to create online performances, in which the actors come together to perform online from the safety of their own homes. This in itself has not been easy, as many people in the team, have had to learn new technology & software, and find ways to make it work on household electronics, with the cast and crew working from their lockdown locations mainly in south Devon but also sheltering in place spread across the UK, as well as the Republic of Ireland, and Los Angeles in California.
The second of these online performances, is a full length, costumed production of William Shakespeare's classic tragedy, Macbeth. Members of the team are diligently rehearsing and learning software online, creating costumes and makeup styles, to create this show, and develop an entirely new way to present theatre using modern technology during this time.
The South Devon Players Theatre and Film Company, are developing a proud history of Shakespeare productions, as part of their focus on historical and classical dramas. In 2019, their production of Macbeth, was booked for a second tour and won an international theatre award in New York for its professionalism and creativity.
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Notice of copyright infringement incident - Midsummer Night's Dream Online

1/6/2020

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Good morning all. It has come to our notice that a streaming website named LiveABC, has been illegally downloading and streaming our recent online performance of A Midsummer Night’s Dream.

IMPORTANT-
If you are watching or accessing this show please ensure it is accessed via our official www.southdevonplayers.com page provided to purchasers of the show tickets.
-
Aside from this other site downloading and streaming our copyright content without our permission, which in itself is illegal, the fact that we created this online show to help our actors and crew earn some money to survive in this lockdown, and the fact that this website has seen fit to just steal everyone’s hard work with no recompense let alone permission , to our team, has absolutely horrified us.
Legal, and Union advice is being taken on this matter, and the Police have been informed.

Anyone with any questions is asked to contact is at once on southdevonplayers@gmail.com

(Note: the screenshots below relate to, and show, the unauthorised/ illegal stream)
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In the Herald Express

18/5/2020

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For more information and to book: ​https://www.southdevonplayers.com/box-office.html
midsummer_nights_dream_online_press_release_upload.pdf
File Size: 302 kb
File Type: pdf
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The Online Fringe Festival

18/5/2020

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We are thrilled to announce that you can now catch our 2019 production of William Shakespeare's Macbeth, performed at Brixham Theatre in Feb 2019 (the same performance which went on to win a theatre award in New York), online for two weeks (starting now!) as part of Online Fringe Festival , an online theatre festival dedicated to sharing great theatre during the 2020 Covid lockdown.
Do pop over to https://www.onlinefringefestival.com/ to watch and find out more.
​

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<<Previous

    Updated by our founder
    ​Laura Jury

    This is our new format news page. To read all our news between 2010 and Jan 2015, please see our old format news page HERE

    If you have any questions, please do not hesitate to contact us at
    southdevonplayers@gmail.com

    The South Devon Players Theatre & Film Company, is the trading name of The South Devon Players Limited;
    Registered at Companies House: Company number 11569166 
    ​

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