The South Devon Players Theatre & Film Company, remain active through the Covid crisis, creating virtual theatre productions, as well as planning for the future.
This “virtual autumn season” is a response to the Covid19 restrictions on performing traditional venue-based theatre, which have resulted, across the UK, and other countries, in very little work for theatre actors, and the cancellation of most traditional theatre shows. With the theatre industry on its knees, and no word yet (at least until November, from Oliver Dowden) as to when there is any hope of being able to return to viable physical performances; for the time being therefore, the Players have moved into cyberspace, with actors and crew joining us on screen from their home studios, in the UK, USA, and Ireland, rehearsing and performing online, where audiences all over the world can access the performance, and the cast & crew can earn equal shares of whatever is made from the online performances ticket sales (every penny goes to the actors and crew), to try to support at least a few actors, in some small way, during what is one of the most challenging times that those who work in the theatre industry have ever faced.
For our online season, we have teamed up with three new writers; Ashley Griffin, Germaine Shames, and Rachel O'Neill
Broadcasts of the plays will be ticketed events, via a link to a hidden area of our .com website, provided to ticket buyers at the time of ticket purchase. Tickets are on sale via our website box office, linked to our ticketsource account. https://www.southdevonplayers.com/box-office.html
The first play, due at the beginning of October, is one of the most exciting collaborations in the history of The South Devon Players Theatre & Film Company This show features a transatlantic cast, including high-profile Broadway actors. The show cast are Ryan Clardy (Trial); Ashley Griffin (Hamlet, The Greatest Showman); Jordan Lage (CBS’S Madam Secretary, HBO’s Boardwalk Empire); Meredith Patterson* (42nd Street (Peggy Sawyer; Broadway, ABC’s Boston Legal ) and Peter Lewis (CBBC’s WolfBlood,) .
(Broadway news article about our performance:
The second play, due at the end of October, is The Lost Girl by Germaine Shames, based on the eponymous novel by D.H. Lawrence.
Alvina Houghton, the headstrong daughter of a widowed Midlands draper, comes of age just as her father’s business is failing. In a desperate attempt to regain his fortune and secure his daughter’s proper place in society, James Houghton buys a theatre. Among the travelling performers he employs is Ciccio, a sensual Italian who immediately captures Alvina’s attention. A celebration of freedom, however fleeting, and a testament to the power of the imagination to transform even the most mundane life. The script has been vetted by international D.H. Lawrence scholar, Catherine Brown. Jessica Levinson Young, Artistic Director of Untold Theatre, writes, “I absolutely loved this script for The Lost Girl. It has incredible pace and the dialogue simply leaps off the page!" . The script won Starlight Theater's 2019-20 Playwriting Award . Another of Germaine's D.H. Lawrence adaptations, THE VIRGIN and the GYPSY, received a reading at the 2018 Festival of New American Theatre.
Then comes Sir Walter's Women, a play written by Rachel O'Neill, for 2Time Theatre in Winchester.
This is a one-act drama that reimagines the life of the charismatic poet, pirate and son of Devon, Sir Walter Raleigh. The play looks at his relationships with the two most important women in his life; one domestic with his wife Bess Throckmorton, and the other political as he manoeuvres his status as a favourite of Elizabeth I to satisfy his political ambitions. His great error is marrying Bess in secret, to the great and lasting displeasure of the Queen. The play ends with Sir Walter's incarceration, trial and execution. Rachel’s plays, Tilly and The Spitfires and The Fasting Girl have had rehearsed readings at the Nuffield Theatre, Southampton and her most recent work, Eager for the Air was shortlisted by the RAF for an audio drama marking the Battle of Britain.
And finally – William Shakespeare's The Taming of the Shrew . A project by some of our team members, this adaptation of the full, original text, creative challenge exploring 'further developing on the idea of creating digital performance and new techniques of expressing characters, with the roles being split between two actors. Through painstaking character development, innovative performance, video editing, and use of online media tools, this production is going to be one which presents a traditional comedy, in a very new, modern way.
As is widely known, the COVID-19 pandemic and lockdown, caused postponement and cancellation of live shows for several months, for every theatre in the UK. During lockdown, the South Devon Players decided to resist the trend of companies closing,and the Players decided to create online performances, in which the actors come together to perform online from the safety of their own homes. This in itself has not been easy, as many people in the team, have had to learn new technology & software, and find ways to make it work on household electronics, with the cast and crew working from their lockdown locations mainly in south Devon but also sheltering in place spread across the UK, as well as the Republic of Ireland, and the USA. .
The South Devon Players Theatre and Film Company, are developing a proud tradition of creating world-class historical and classical dramas. In 2019, their production of Macbeth, was booked for a second tour and won an international theatre award in New York for its professionalism and creativity. Laura Jury, the director of that production of Macbeth, & many of the Player's shows, and founder of the theatre company, has returned to lead this new project. Laura has also recently been selected to appear in an online Shakespeare project by the Globe Theatre. With lockdown, the Players have been using the internet to perform and livestream digital theatre from Brixham, around the world to global audiences
The South Devon Players were founded in the winter of 2005-6, on the proceeds of a carboot sale, to create professional opportunities for local actors, and has flourished ever since; previously winning national and regional arts awards, including the national Epic Award 2017 for England, a national arts award celebrating creativity and innovation in grassroots arts. Based in Brixham, the Players primarily specialise in researched historical theatre productions and old “Classics”.