Well, it has been a hugely busy autumn for us, and there are dozens of projects, discussions and plannings in the works. 

Halloween and a video project. 
For Hallloween, supported by Arts Council funding via Torbay Culture, we created Spooky Tales of Brixham, a series of short stories, told in the first person by actors playing Brixham ghosts, based on local folklore. It has gone remarkably well, with fantastic audience feedback. 

This side of Christmas, we have two more historical dramas, coming digitally, to our season of online productions  - tickets all on sale now: pop over to our box office page to book now. 

And in addition... 
We are also working with Ivybridge Community Arts on a local history production that they have created, 
planning ahead for further online theatre productions in the New Year (and as long as Covid nessecitates that we work online. Some very exciting projects are in various stages of planning, from castiing to being written, behind the scenes! 

Castings and auditions
We have had a number of casting enquiries recently. We currently have open castings for specific roles within our production of DH Lawrence's The Lost Girl, to complete the compliment of actors. Anyone wishing to audition for those roles, please visit our "auditions" page as we are accepting auditions for the next ten days or so for those roles. 

During December/January, the next big show auditions will be made live on the same site, and announced here in the news page as well as on our official company social media. 

We have recieved a number of enquiries this autumn seeking auditions and "have a go" acting roles in our shows, specifically for children. As announced back in the summer, and as stated on our website in the audtions page, we were forced to close our doors to accepting new child actors, for the time being, for a number of reasons, including repeated concerns that children working with us were not being correctly chaperoned by their parents, and a deluge of very bizarre social media requests (reported to the authorities) requesting us to illegally traffic children from a number of countries, to the UK. In the interests of everyones well-being, safety and legality, we ended up with no choice to close the doors to new child actors.  As always we reiterate;  we are not a childrens theatre company, although the majority of our shows are suitable viewing for all ages, and we do only cast child roles, where a child is specifically required for a role, which is not the case in every show. 

At the moment, with Covid, all auditions take place using self-tapes. We have found that email systems can be very sporadic in filing submitted auditions sent via file-transfer systems to different folders, including the spam folder. While we do our utmost to be vigilant and pick up the auditions, we are still concerned that some may slip through the net, which is not fair on everyones hard work, and therefore we are working on finding an accessible, easy system which allows for easier submission and more efficient casting director access. If you have sent a tape, but not had a response, please always check in with us. 

Leaving aside the current second lockdown; a question that we are commonly asked, usually two or three times a week, is why we have not returned to live "on-stage" theatre, when techincally, (outside of the lockdown) the government allow for it. 

Ticket sales.  - As a professional company, we rely on ticket and programme sales to pay our actor and crew. If, due to social distancing, audiences are cut to 20-30, there is no way that we can even hope to break even on the show, much less pay anyone. The only way in which this could be done, is to charge extortinate amounts per ticket - which would be unlikely to fill seats anyway. 

Distancing for cast and crew - The current advice that we have recieved from our Equity contact, is that actors have to be fully socially distanced from one another on stage, which means in turn that we cannot have a natural dramatic dynamic on stage. Furthermore, every actor has to have thier own dressing room (most venues cannot accomodate this), and live in a "bubble" of a hired hotel before, during and after the show - there is no way to afford this. (Also what about families, other work/ committments, etc?) 

Venues - Many venues are closed, due to the lack of viability in being open under these circumstances.

And while we are all looking forward to a safe return to the live stage, it needs to be safe for the actors, crews, audiences and venue staff alike; and viable. 

​Until then, all our work will take place online. 

The Friends of the South Devon Players

And we have a message to the Friends of The South Devon Players, a fundraising arm run by volunteers who support our work. 
​
This year did not launch things as planned - while we were planning for social events, and all sorts of "perks" for the membership, Covid, and our scramble to keep the company ticking over, knocked that on the head. 

We are however now looking at creatiing "zoom socials" where you will be able to join, socialise, chat, and meet some of the cast and crew. None of these are mandatory for anyone, but will be an option to remain in contact. 

We will also be looking at various other "digital" perks, until we can get back into the live spaces, and the original plans, with an emailed announcement soon. 

If you would like to support our company's  groundbreaking theatre work, and join the Friends, it is only £10 per year, and please pop over to the Supporters Trust .  Every penny raised goes into creating new theatre work; costumes, equipment, publicity materialls, venue hire - and when we get to that stage, union-pay-rates for our actors and crew. 

With online productions continuing, as people find new ways to work, and with Covid-safe filming now happening on various features, and TV programmes, we are open once more to external castings for our actors. Every actor put forward for external work from us, has worked with us to the highest level of skill, reliability and professionalism. 
If you have a casting for work that can be done from a home studio, or that is filming on location in Devon and Cornwall with a Covid-risk assessment and safety procedures, then we would lov to put forward those of our team who may fit your casting, for audition. Please send the casting details to [email protected]
​
This is, of course, for paid work only. 
When you contact us, please ensure that you include details of
- pay/expenses
- synopsis 
- dates
- locations
​- who the production company are. 
- Covid safety details/ risk assessment

Payments from Snow and True Spooky Tales of Brixham
Payments to cast and crew from these two productions are currently going out. 
​
All cast for Spooky Tales will have recieved their payments last night. 

Those whose payment details we have from Snow, also went out last night, we are just waiting on a couple of cast to let us have their payment details so that we can get theirs en-route as well. 

There is a lot of news for a short period of time, that affects most of our shows. 

First of all, we are delighted to announce that our first ever Arts Council funded project, True Tales of Spooky Brixham, is now live for public ticket sales. We had a great session with most of the recording work last week, and are doing the final pickups tomorrow. This project will be fundraising for Brixham Theatre, our nearest local theatre, where we always perform for each show tour. 

Secondly, theres Jack The Ripper. The live theatre shows were originally planned for the end of January (at Brixham Theatre) but with the governments expectation that Coovid restrictions will go on for another six months, and Brixham Theatre not reopening until May 1st 2021, we will be running a virtual performance in early Feb 2021 (tickets on sale soon), prior to the rebooked tour dates in May for the live performances of Jack the Ripper as originally planned. All venues originally booked will be contacted by the end of the week to rebook. 

With this schedule in place, we can also announce that in, the early New Year , we will be castings for our second "live" post-covid show, Shakespeare's Henry V. The dates for this show run will be dictated by our inclusion with Bristol Shakespeare Festival, ideally live, or otherwise as an online show. 

With our virtual season, there have been some date changes. The Lost Girl (script by Germaine Shames, based on the novel by DH Lawrence) is being rescheduled for mid January 2021. Between some internal live broadcast logistics, and a delay caused by struggling to cast the older roles, (a new casting advert will go out shortly for those roles) we have postponed the project so that it can be done to best effect and quality.. 
The other autumn virtual shows, Sir Walter's Women, and The Taming of the Shrew, are unaffected. 

Our non-exclusive casting agency also remains open. While our books are closed to actors who have not worked with us (we work on being able to provide personal reccomendations from having ourselves worked with people),  our actors are largely available for remote/ home-taped/ virtual/ voice over work, or castings on known Covid-secure sets. Please note that if seeking actors through us, these are all experienced professionals, and must be paid as such.  
We have some new work coming in through the agency at the moment, and suitable team members will be approached over the next week or so for the work, which will all be done over Zoom. 

We are also in the process of developing a welcome book for those who join our teams for one or more productions. For those newer to working professionally, or who are unsure what to expect, this outlines how things work and organisation expectations, aiming to answer frequently asked questions, and be an easy to access guide. This will be finished by Christmas. 

And that's all for the moment. Stay safe, keep battling along, and never stop revelling in creativity!

A few people of late have asked us why, as a professional touring theatre company, we have not returned to live rehearsals and theatres following the Government's annoucement that theatre can return with socially distanced audiences. However, following industry-standard safety advice, this is not feasible. While we fully intend to return to live, as opposed to online, shows as soon as we possibly can, the situation outlined below, is current as of the date of publication; and from the recent official press conferences is expected to continue for some months. 

For theatre shows, it is very simple. We rely on ticket sales to pay our actors and crew. If, for example a 200 seat theatre, to maintain social distancing, can only admit 20 audience members, we are unable to pay our cast and crew. Not paying your cast and crew, and becoming an amdram club, is not something we are willing to entertain as an option. 

Outdoor venues need to have strict marshalling, distanced areas, specialist equipment (which we do not own), as well as strict backstage procedures, and are not currently an option due to people-power and equuipment. 

Behind the scenes, backstage procedures reccomended by unions, and the Health & Safety Execuitive, require single occupancy dressing rooms, one way systems, performing through masks or visors. Physically, theatres do not have that kind of space backstage, where they can be  rather cramped, and historical dramas do not lend themselves well to performing through masks and visors .
Casts and crews should also isolate in a bubble for the length of the show, and for a time before and after, requiring the hiring of a house or a hotel.  Many of us have second jobs, which we cannot afford to take the time off from especially if we are not able to earn from the shows, and the company does not own the funds to hire a house or hotel. 

In rehearsals, actors must stand in taped areas, enforcing the 2M distancing, as well as wearing masks, with staggered breaks. They also should not face one another while speaking in case of exhaling in the direction of the other person. This makes it impossible for any natural dramatic performance. 

Finally, there is the general directive to work from home where you can, and to avoid putting vulnerable people at risk. Many of us work more than one job, or live in households where we have a relative who relies on another job, or who is in an at-risk category. By exposing ourselves, we also put them at heightened risk. 

We understand that some theatre companies and drama schools have returned to creating work, or classes, but it is not something that we find we can safely do for our people. 

and Hello everyone! 
This is our big update on our projects and what we are doing while this Covid situation continues around the world. Please read on to find out the latest on our online shows, offline shows, and other activities. 

As things stand, the UK goverment have just brought in what is commonly known as the Rule of Six (meaning that only six people can meet up in a space), as infections nationally are on the rise. 

--- Returning to live shows
For now, our first returning shows are being booked for Jan/ Feb 2021, with our production of Jack The Ripper. That is, hoping that it will be safe for theatres to reopen by then. If there are delays on this, we will postpone. In the meantime, our cast are busily rehearsing and fine-tuning the show. We are currently rehearsing soley on Zoom. As things stand, physical rehearsals are not viable. We would need to be 2metres apart at all times, facing forward away from one another, which is impossible to create a natural show between different characters. While we will return once it is safe to do so (and viable to rehearse in a suitable way), at the moment it is all over Zoom. 

Shows for 2021 (or, once we can reasonably safely return to viable theatre where we can sell enough tickets to be able to pay cast and crew) include Jack The Ripper, Henry V, we hope a reboot of our show A Midsummer Night's Dream; from 2020, and an action drama set in ancient Rome which is currently being researched and written. 

---Online shows
We have a great autumn season of four shows, Tickets on sale via our box office HERE for all of the shows, with synopses, and breakdowns, with brilliant transatlantic casts. Every penny from ticket sales will be shared equally among the cast and crew of the show - after all, this is all about creating work for actors and creatives during these tough times. 

Should the covid crisis run into the New Year, any delays in returning to the physical stage, will lead to a winter/ spring Online Season. 

---The Spooky Tales of Brixham
With Arts Council funding, from Torbay Culture, our team are creating a video of local spooky ghost stories. With a Halloween broadcast, tickets will be on sale from the beginning of October, and all funds raised will go to our friends at Brixham Theatre. 

---Professional actors available
We have a fantastic team of actors who are available for (paid) voiceover work, home-recording for zoom projects. If you have a casting call, please email us on [email protected]. We are committed to doing our best to create work for our actors and crew. 

--Other activities
We are using the time as usefully as possible. Studying and developing new trends in marketing theatre, creating new technology for our live shows, developing new resources to assist new actors and crew joining the company especially those without much experience; and generally sorting and fine tuning as much as we can. 

Internationally award-winning Brixham theatre company announce an autumn “virtual season” of plays with an international team of actors and writers bringing local creatives and international Broadway/ TV names together in a series of theatre created and performed online.
The South Devon Players Theatre & Film Company, remain active through the Covid crisis, creating virtual theatre productions, as well as planning for the future.
This “virtual autumn season” is a response to the Covid19 restrictions on performing traditional venue-based theatre, which have resulted, across the UK, and other countries, in very little work for theatre actors, and the cancellation of most traditional theatre shows. With the theatre industry on its knees, and no word yet (at least until November, from Oliver Dowden) as to when there is any hope of being able to return to viable physical performances; for the time being therefore, the Players have moved into cyberspace, with actors and crew joining us on screen from their home studios, in the UK, USA, and Ireland, rehearsing and performing online, where audiences all over the world can access the performance, and the cast & crew can earn equal shares of whatever is made from the online performances ticket sales (every penny goes to the actors and crew), to try to support at least a few actors, in some small way, during what is one of the most challenging times that those who work in the theatre industry have ever faced. ​
For our online season, we have teamed up with three new writers; Ashley Griffin, Germaine Shames, and Rachel O'Neill

Broadcasts of the plays will be ticketed events, via a link to a hidden area of our .com website, provided to ticket buyers at the time of ticket purchase. Tickets are on sale via our website box office, linked to our ticketsource account. https://www.southdevonplayers.com/box-office.html
The first play, due at the beginning of October, is one of the most exciting collaborations in the history of The South Devon Players Theatre & Film Company  This show features a transatlantic cast, including high-profile Broadway actors. The show cast are  Ryan Clardy (Trial); Ashley Griffin (Hamlet, The Greatest Showman); Jordan Lage (CBS’S Madam Secretary, HBO’s Boardwalk Empire); Meredith Patterson* (42nd Street (Peggy Sawyer; Broadway, ABC’s Boston Legal ) and Peter Lewis (CBBC’s WolfBlood,) .
(Broadway news article about our performance: 
https://www.broadwayworld.com/uk-regional/article/Meredith-Patterson-and-Jordan-Lage-Join-Virtual-UK-Premiere-Of-SNOW-20200829) 

​

The second play, due at the end of October, is The Lost Girl by Germaine Shames, based on the eponymous novel by D.H. Lawrence.

Alvina Houghton, the headstrong daughter of a widowed Midlands draper, comes of age just as her father’s business is failing. In a desperate attempt to regain his fortune and secure his daughter’s proper place in society, James Houghton buys a theatre. Among the travelling performers he employs is Ciccio, a sensual Italian who immediately captures Alvina’s attention. A celebration of freedom, however fleeting, and a testament to the power of the imagination to transform even the most mundane life. The script has been vetted by international D.H. Lawrence scholar, Catherine Brown. Jessica Levinson Young, Artistic Director of Untold Theatre, writes, “I absolutely loved this script for The Lost Girl. It has incredible pace and the dialogue simply leaps off the page!" . The script won Starlight Theater's 2019-20 Playwriting Award . Another of Germaine's D.H. Lawrence adaptations, THE VIRGIN and the GYPSY, received a reading at the 2018 Festival of New American Theatre.

Then comes Sir Walter's Women, a play written by Rachel O'Neill, for 2Time Theatre in Winchester.
This is a one-act drama that reimagines the life of the charismatic poet, pirate and son of Devon, Sir Walter Raleigh. The play looks at his relationships with the two most important women in his life; one domestic with his wife Bess Throckmorton, and the other political as he manoeuvres his status as a favourite of Elizabeth I to satisfy his political ambitions. His great error is marrying Bess in secret, to the great and lasting displeasure of the Queen. The play ends with Sir Walter's incarceration, trial and execution. Rachel’s plays, Tilly and The Spitfires and The Fasting Girl have had rehearsed readings at the Nuffield Theatre, Southampton and her most recent work, Eager for the Air was shortlisted by the RAF for an audio drama marking the Battle of Britain.


And finally – William Shakespeare's The Taming of the Shrew . A project by some of our team members, this adaptation of the full, original text, creative challenge exploring 'further developing on the idea of creating digital performance and new techniques of expressing characters, with the roles being split between two actors. Through painstaking character development, innovative performance, video editing, and use of online media tools, this production is going to be one which presents a traditional comedy, in a very new, modern way.

As is widely known, the COVID-19 pandemic and lockdown, caused postponement and cancellation of live shows for several months, for every theatre in the UK. During lockdown, the South Devon Players decided to resist the trend of companies closing,and the Players decided to create online performances, in which the actors come together to perform online from the safety of their own homes. This in itself has not been easy, as many people in the team, have had to learn new technology & software, and find ways to make it work on household electronics, with the cast and crew working from their lockdown locations mainly in south Devon but also sheltering in place spread across the UK, as well as the Republic of Ireland, and the USA. .


The South Devon Players Theatre and Film Company, are developing a proud tradition of creating world-class historical and classical dramas. In 2019, their production of Macbeth, was booked for a second tour and won an international theatre award in New York for its professionalism and creativity. Laura Jury, the director of that production of Macbeth, & many of the Player's shows, and founder of the theatre company, has returned to lead this new project. Laura has also recently been selected to appear in an online Shakespeare project by the Globe Theatre. With lockdown, the Players have been using the internet to perform and livestream digital theatre from Brixham, around the world to global audiences

The South Devon Players were founded in the winter of 2005-6, on the proceeds of a carboot sale, to create professional opportunities for local actors, and has flourished ever since; previously winning national and regional arts awards, including the national Epic Award 2017 for England, a national arts award celebrating creativity and innovation in grassroots arts. Based in Brixham, the Players primarily specialise in researched historical theatre productions and old “Classics”. 

Hello all! 
This is just an update with news all in one place! 

Overall, the news on theatres reopening remains the same. While some theatres are able to put on subsidised performances, it is impossible for most of us, sadly as outlined in our update on the subject, to return to distanced physical shows, for us and very many theatre companies. Most of the UK theatre industry is awaiting the announcements due in November from the UK government's Culture Secretary, Oliver Dowden, as to when theatres can re-open. With vastly reduced audiences due to (the very sensible!) distancing, it is impossible to run shows viably, and make enough from sales to pay for a venue and also to pay cast/ crew. 

Jack the Ripper
We are now rehearsing over Zoom each Sunday afternoon for this show, with plans for an online performance if the physical shows end up delayed. Jack The Ripper will return to the physical stage as soon as theatres are able to reopen (all being well, our bookings are for the end of January and early Febuary, with ticket sales going live once we know more from Mr Dowdens announcements in September. 
The production team are really pleased with how the rehearsals are progressing, with this Sunday being a characterisation workshop session. Our return to the physical stage, in 2021, will also mean that at least one performance of each show run, will be livestreamed to audiences who either are unable to access the venue, or who may still not wish to attend theatre in person after the pandemic. 

Shakespeare in 2021
Our 2021 Shakespeare show will be Henry V, as is already being booked for summer 2021. We are also hoping to finally get to tour our production of A Midsummer Night's Dream, which was postponed due to the pandemic, subject to cast and venue availibility, as it now appears highly unlikely that we will be able to tour the show this year. 

Virtual Season
Casting announcements will go out within a few days for the first of our Virtual Season, the dark adaptation of Snow White, by Ashley Griffin. There have been a few delays while the cast are being selected, but we will have that sorted out by the end of this coming weekend. Tickets have already begun to sell, and as soon as the casting announcement goes live, we will be able to send out press releases, distribute posters and online events listiings to really push for the ticket sales.  The ensuing plays, The Lost Girl and Sir Walter's Women, will be cast during the later part of September. 

Spooky Tales of Brixham
This project telling of our local town's folklore, is well on track, with a release date of Halloween. 
We have acquired a wonderful collection of Victorian images of Brixham, for some backdrops and intro cards, and are currently in talks with local filming locations. All filming will be socially distanced, and outdoors in a Covid-secure envriroment.